{"id":38,"date":"2021-07-11T12:03:16","date_gmt":"2021-07-11T10:03:16","guid":{"rendered":"https:\/\/silvajp.web.amu.edu.pl\/?page_id=38"},"modified":"2026-01-20T15:45:06","modified_gmt":"2026-01-20T14:45:06","slug":"editorial-guidelines-for-silva-iaponicarum-authors","status":"publish","type":"page","link":"https:\/\/silvajp.web.amu.edu.pl\/index.php\/editorial-guidelines-for-silva-iaponicarum-authors\/","title":{"rendered":"Submissions"},"content":{"rendered":"\n

Downloadable template<\/a><\/p>\n\n\n\n

Download PDF<\/a><\/p>\n\n\n\n

\n\n

Contents<\/p>\n\n

    \n\n
  1. SUBMISSION<\/a><\/li>\n
  2. STRUCTURE OF THE PAPER<\/a><\/li>\n
  3. FORMATTING GUIDELINES<\/a><\/li>\n
  4. TYPESETTING RECOMMENDATIONS<\/a><\/li>\n
  5. REFERENCES, GENERAL INSTRUCTIONS<\/a><\/li>\n
  6. REFERENCES, SPECIFIC EXAMPLES<\/a><\/li>\n
  7. IN-TEXT CITATIONS<\/a><\/li>\n<\/ol>\n\n<\/div>\n\n\n\n

    [1] SUBMISSION<\/strong><\/h2>\n\n\n\n

    Source file: editable .doc, .docx or .rtf file. A .pdf file may optionally be included, especially if concerns about the legibility of the fonts used in the text file arise.<\/p>\n\n\n\n

    You should submit your contribution to silva.iaponicarum.quarterly@gmail.com<\/a>, if responding to the open Silva Iaponicarum<\/em> Call For Papers, or to the respective content editor(s) of the issue if responding to a special issue Call For Papers.  <\/p>\n\n\n\n

    [2] STRUCTURE OF THE PAPER<\/strong><\/h2>\n\n\n\n

    The following elements and their ordering should be observed when preparing manuscripts contributed to Silva<\/em> Iaponicarum<\/em>:<\/p>\n\n\n\n

      \n
    • the full title of the manuscript<\/li>\n\n\n\n
    • the names of all authors<\/li>\n\n\n\n
    • authors’ affiliation, ORCID and current e-mail address<\/li>\n\n\n\n
    • the abstract in English (100\u2013150 words), including the hypothesis\/goal of the paper, a summary of its content, and conclusions <\/li>\n\n\n\n
    • keywords (4\u20136)<\/li>\n\n\n\n
    • (optional) acknowledgements <\/li>\n<\/ul>\n\n\n\n

      The length of the paper should be from 3,000 to 10,000 words<\/strong> in English <\/strong>and from 8,000 to 25,000 characters<\/strong> in Japanese<\/strong>, excluding the abstract and references. <\/p>\n\n\n\n

      The main body of the paper<\/strong> should contain the following parts, in the following order<\/strong>:<\/p>\n\n\n\n

      Foreword\/Introduction (heading not numbered)<\/p>\n\n\n\n

      Numbered sections<\/p>\n\n\n\n

      Conclusions\/Endnote (heading not numbered)  <\/p>\n\n\n\n

      Abbreviations (if applicable)<\/p>\n\n\n\n

      References <\/p>\n\n\n\n

      [3] FORMATTING GUIDELINES<\/strong><\/h2>\n\n\n\n
        \n
      • page size:: A5<\/li>\n\n\n\n
      • margins (all): 18mm<\/li>\n\n\n\n
      • basic font: 10,5 Times New Roman (MS \u660e\u671d)<\/li>\n\n\n\n
      • footnote font: 8 Times New Roman (MS \u660e\u671d)<\/li>\n\n\n\n
      • single spaces between lines<\/li>\n\n\n\n
      • paragraph alignment     : justified<\/li>\n\n\n\n
      • no indents<\/li>\n\n\n\n
      • no additional spaces between paragraphs<\/li>\n\n\n\n
      • no space between a paragraph and section title<\/li>\n\n\n\n
      • language: English or Japanese<\/li>\n\n\n\n
      • spelling conventions for English: American spelling is recommended, but British spelling is also permitted. Spelling consistency with the chosen system maintained throughout the paper needs, however, to be observed. Citations retain their original spelling <\/li>\n\n\n\n
      • recommended romanization systems: variant Hepburn (with diacritics and <\u3093> transliterated as <m> before <p>, <b> and <m>) for Japanese; toneless pinyin for Chinese; McCune-Reischauer for Korean<\/li>\n<\/ul>\n\n\n\n

        A note on style: in order to maintain a neutral and objective tone, you are encouraged to keep first-person expressions and self-referencing to a minimum. In case you do use first-person pronouns, they should be singular unless the paper is co-authored. Do not use plural pronouns (\u201cwe\u201d) for the purpose of self-referencing an individual author.<\/p>\n\n\n\n

        [4] TYPESETTING RECOMMENDATIONS<\/strong><\/h2>\n\n\n\n
          \n
        • emphasis \u2013 no spaced-out text, recommended italics; <\/li>\n\n\n\n
        • quotes: a short quotation (up to three consecutive lines) can be put it in the main text, always in the inverted commas; longer ones should be extracted from the main text (size 11, line spacing 1); no indentation in the new line of the main text after such quotes;<\/li>\n\n\n\n
        • headings and subheadings should be boldfaced;<\/li>\n\n\n\n
        • bibliographic references should be included in the text, not in footnotes;<\/li>\n\n\n\n
        • page range should be marked with \u201cen dash\u201d (\u2013), not with a hyphen (-), e.g. \u201c(McKanzie 1998: 11\u201334)\u201d; the same rule should be used in indicating a numerical range, e.g. \u201cin years 1867\u20131899\u201d;<\/li>\n\n\n\n
        • illustrations\/photographs\/figures \u2013 all illustrations (JPG, TIF \u2013 at least 300 dpi) should be numbered and provided with appropriate captions, i.e. a short description of photo content, source and author of the illustration;<\/li>\n\n\n\n
        • tables, charts etc. should be numbered, titled and, if applicable, involve information about their source.<\/li>\n<\/ul>\n\n\n\n

          When supplementing illustrations, photographs and other materials from outside of the public domain, be sure to provide a written consent for reproducing these materials.<\/p>\n\n\n\n

          Vocabulary items or phrases in foreign languages, including specialistic terms in Japanese, should be put in italics.<\/p>\n\n\n\n

            \n
          • translatological insights concerning the mono-no na<\/em> variety of classical waka<\/em> poetry<\/li>\n<\/ul>\n\n\n\n

            Italics may also be used for emphasis and for citing titles. In the latter case, all content words of the title should be capitalized.<\/p>\n\n\n\n

              \n
            • And when one leaves binary logic behind, one also gets something called queer<\/em>.   <\/li>\n\n\n\n
            • Haruki Murakami\u2019s short story The Folklore of Our Times<\/em><\/li>\n<\/ul>\n\n\n\n

              Double inverted commas may be used for figurative\/non-literal language and should be used when citing outside sources (on which cf. [6] IN-TEXT CITATIONS).<\/p>\n\n\n\n

                \n
              • Homosexuality in the novel is also restricted to adolescence, never addressing homosexual relationships between adult men, and pathologized, using words such as \u201cabnormal\u201d, \u201csick\u201d and so on. <\/li>\n\n\n\n
              • This confidence is brilliantly spotted by Matsui (1975: 104) in her thesis on S\u014dseki as a critic of English literature: \u201cIt was a fundamental attitude of S\u014dseki the critic to place absolute confidence in his own ability and conduct all argument from there\u201d.<\/li>\n<\/ul>\n\n\n\n

                Single inverted commas are reserved for the meta-language translations of fragments in a foreign language, including literal translations of non-English titles of literary works.<\/p>\n\n\n\n

                  \n
                • verbs with stem-final vowel such as \u2018to pray\u2019 or \u2018to think\u2019 form a separate subgroup<\/li>\n\n\n\n
                • S\u014dseki\u2019s newly gained self-confidence in his reading of English literature gave rise to the series of lectures known as Eibungaku Keishikiron <\/em>(\u2018On the form of English literature\u2019, 1903)<\/li>\n<\/ul>\n\n\n\n

                  [5] REFERENCES, GENERAL INSTRUCTIONS<\/strong><\/h2>\n\n\n\n

                  If listing a publication with a title in a language other than English, German, French or Spanish, an English approximation of the title should be provided in square brackets following the title.<\/p>\n\n\n\n

                  Publications in writing systems other than the Latin alphabet should be listed in a romanized version followed by the original notation of the relevant elements. Elements which would be identical in both romanized and original notations, such as the year of publication or page numbers, are redundant and should be omitted from the original notation. Cf.:<\/p>\n\n\n\n

                    \n
                  • Abe Masao 1979. \u201cNehan \u2012 sono gendai shis\u014d-ni totte-no igi [Nirvana \u2012 its meaning for the contemporary thought]\u201d. T\u014dy\u014d Gakujutsu Kenky\u016b<\/em> 18 (4): 35\u201250. | \u963f\u90e8\u6b63\u96c4. \u300c\u6d85\u69c3\u3000\u2012\u3000\u305d\u306e\u73fe\u4ee3\u601d\u60f3\u306b\u3068\u3063\u3066\u306e\u610f\u7fa9\u300d. \u300e\u6771\u6d0b\u5b66\u8853\u7814\u7a76\u300f18. <\/li>\n<\/ul>\n\n\n\n

                    The comma separating the last name and first name of the author indicates inversion in respect to the editorial data listed in the publication. Consequently, the comma, as a rule, does not apply when listing Japanese (or other East Asian) authors of Japanese (or other East Asian) publications. Cf.:<\/p>\n\n\n\n

                    Jaanus, Maire 1979. Literature and negation<\/em>. <\/p>\n\n\n\n

                    but<\/p>\n\n\n\n

                    Tomihama Sadayoshi 2013. Miyako Irabu h\u014dgen jiten<\/em> [dictionary of the Irabu-Miyako topolect].<\/p>\n\n\n\n

                    Do not use capital letters in title spellings unless this is required by the orthographic rules of the language the title is in or unless the title involves proper names. <\/p>\n\n\n\n

                    YES:<\/p>\n\n\n\n

                    Jaanus, Maire 1979. Literature and negation<\/em>. <\/p>\n\n\n\n

                    NO:<\/p>\n\n\n\n

                    Jaanus, Maire 1979. Literature and Negation<\/em>. <\/p>\n\n\n\n

                    [6] REFERENCES, SPECIFIC EXAMPLES<\/strong><\/h2>\n\n\n\n

                    [a] Monographs<\/p>\n\n\n\n

                    \u203bOne author<\/p>\n\n\n\n

                    Last name, First name Year. Title<\/em>. Publication place: Publisher.<\/p>\n\n\n\n

                      \n
                    • Jaanus, Maire 1979. Literature and negation<\/em>. New York: Columbia University Press.<\/li>\n\n\n\n
                    • Mejor, Marek 2001. Buddyzm. Zarys historii buddyzmu w Indiach [an outline of the history of Buddhism in India]. Warszawa: Pr\u00f3szy\u0144ski i S-ka.<\/li>\n\n\n\n
                    • Tomihama Sadayoshi 2013. Miyako Irabu h\u014dgen jiten<\/em> [dictionary of the Irabu-Miyako topolect]. Naha: Okinawa Taimusu-sha. | \u5bcc\u6d5c\u5b9a\u7fa9.\u300e\u5bae\u53e4\u4f0a\u826f\u90e8\u65b9\u8a00\u8f9e\u5178\u300f.\u90a3\u8987\u5e02\uff1a\u6c96\u7e04\u30bf\u30a4\u30e0\u30b9\u793e.<\/li>\n<\/ul>\n\n\n\n

                      \u203bMultiple authors<\/p>\n\n\n\n

                      As a rule, all names of the authors should be listed.<\/p>\n\n\n\n

                      Last name, First name, First name Last name, [\u2026] First name Last name Year. Title<\/em>. Publication place: Publisher.<\/p>\n\n\n\n

                        \n
                      • Goldman, Robert P., Sally J. Sutherland Goldman 2004. Devav\u0101 iprave\u015bik\u0101. An introduction to the Sanskrit language<\/em>. Berkeley: University of California Press.<\/li>\n\n\n\n
                      • Knoke, David, Franz Urban Pappi, Jeffrey Broadbent, Yutaka Tsujinaka 1996. Comparing policy networks: labor politics in the U.S., Germany, and Japan<\/em>. Cambridge: Cambridge University Press.<\/li>\n<\/ul>\n\n\n\n

                        \u203bEdited volumes<\/p>\n\n\n\n

                        Last name, First name (ed.) Year. Title<\/em>. Publication place: Publisher.<\/p>\n\n\n\n

                          \n
                        • Breen, John (ed.) 2008. Yasukuni: The war dead and the struggle for Japan\u2019s past<\/em>. London: C Hurst & Co Publishers.<\/li>\n<\/ul>\n\n\n\n

                          \u203bMultiple editors<\/p>\n\n\n\n

                          Last name, First name, First name Last name (eds.) Year. Title<\/em>. Publication place: Publisher.<\/p>\n\n\n\n

                            \n
                          • Allen, Richard, Hrish Trivedi (eds.) 2000. Literature & nation: Britain and India 1800\u20131990<\/em>. New York: Routledge.<\/li>\n\n\n\n
                          • McGetchin, Douglas T., Peter K. J. Park, D. R. SarDesai (eds.) 2004. Sanskrit and <\/em>\u201cOrientalism\u201d. Indology and comparative linguistics in Germany, 1750\u20131958. <\/em>New Delhi: Manohar.<\/li>\n<\/ul>\n\n\n\n

                            [b] Article\/chapter in an edited volume<\/p>\n\n\n\n

                            Last name, First name Year. \u201cTitle of the article\/chapter\u201d. In: First name Last name (ed.). Title of the edited work<\/em>. Publication place: Publisher. Page range.<\/p>\n\n\n\n

                              \n
                            • Roden, Donald 1990. \u201cTaish\u014d<\/em> culture and the problem of gender ambivalence\u201d. In: J. Thomas Rimer (ed). Culture and identity: Japanese intellectuals during the interwar years<\/em>. Princeton, NJ: Princeton University Press. 37\u201356.<\/li>\n<\/ul>\n\n\n\n

                              [c] Article in an academic journal<\/p>\n\n\n\n

                              \u203b Last name, First name Year. \u201cTitle of the article\u201d. Periodical name volume number (+ additional data, e.g. season, if necessary): page range.<\/p>\n\n\n\n

                                \n
                              • Robertson, Jennifer 1992. \u201cThe politics of androgyny in Japan: sexual subversion in the theater and beyond\u201d. American Ethnologist<\/em> 19 (3): 419\u2013442.<\/li>\n<\/ul>\n\n\n\n

                                [d] Publications by the same author<\/p>\n\n\n\n

                                \u203b Publications from different years<\/p>\n\n\n\n

                                Publications by the same author(s) should be listed in chronological order.<\/p>\n\n\n\n

                                  \n
                                • Abe Masao 1975\/76. \u201cJikakuteki uch\u016bron kakuritsu-no tame-ni [in order to establish the theory of the cosmology of self-awakening]\u201d. Postmodernist<\/em>  4\/5: 29\u201258.\u3000| \u963f\u90e8\u6b63\u96c4. \u300c\u81ea\u899a\u7684\u5b87\u5b99\u8ad6\u78ba\u7acb\u306e\u305f\u3081\u306b\u300d. \u300e\u30dd\u30b9\u30c8\u30e2\u30c0\u30cb\u30b9\u30c8\u300f4\/5. <\/li>\n\n\n\n
                                • Abe Masao 1979. \u201cNehan \u2012 sono gendai shis\u014d-ni totte-no igi [Nirvana \u2012 its meaning for the contemporary thought]\u201d. T\u014dy\u014d Gakujutsu Kenky\u016b<\/em> 18 (4): 35\u201250. | \u963f\u90e8\u6b63\u96c4. \u300c\u6d85\u69c3\u3000\u2012\u3000\u305d\u306e\u73fe\u4ee3\u601d\u60f3\u306b\u3068\u3063\u3066\u306e\u610f\u7fa9\u300d. \u300e\u6771\u6d0b\u5b66\u8853\u7814\u7a76\u300f18. <\/li>\n<\/ul>\n\n\n\n

                                  \u203b Publications from the same year<\/p>\n\n\n\n

                                  Publications by the same author(s) issued in the same year should be listed in alphabetical order and differentiated through the addition of a small alphabet letter to the publication year.<\/p>\n\n\n\n

                                  Edogawa Rampo 2004a. \u201cNisen d\u014dka [the two sen copper coin]\u201d. In: Edogawa Rampo zensh\u016b dai 1-kan. Yaneura-no samposha<\/em> [the collected works of Edogawa Rampo, vol. 1: The walker in the attic]. Tokyo: K\u014dbunsha. 11\u201343. | \u6c5f\u6238\u5ddd\u4e71\u6b69.\u300c\u4e8c\u92ad\u9285\u8ca8\u300d.\u300e\u6c5f\u6238\u5ddd\u4e71\u6b69\u5168\u96c6\u7b2c\uff11\u5dfb \u3000\u5c4b\u6839\u88cf\u306e\u6563\u6b69\u8005\u300f. \u6771\u4eac\u90fd\uff1a\u5149\u6587\u793e.<\/p>\n\n\n\n

                                  Edogawa Rampo 2004b. \u201cPanoramat\u014d kidan [the strange tale of panorama island]\u201d. In: Edogawa Rampo zensh\u016b dai 2-kan. Panoramat\u014d kidan<\/em> [the collected works of Edogawa Rampo, vol. 2: The strange tale of panorama island]. Tokyo: K\u014dbunsha. 355\u2013489. |  \u6c5f\u6238\u5ddd\u4e71\u6b69.\u300c\u30d1\u30ce\u30e9\u30de\u5cf6\u5947\u8ac7\u300d.\u300e\u6c5f\u6238\u5ddd\u4e71\u6b69\u5168\u96c6\u7b2c\uff12\u5dfb \u30d1\u30ce\u30e9\u30de\u5cf6\u5947\u8ac7\u300f. \u6771\u4eac\u90fd\uff1a\u5149\u6587\u793e.<\/p>\n\n\n\n

                                  \u203b Single-author monographs and co-authored, edited and co-edited works by the same author.<\/p>\n\n\n\n

                                  Single-author monographs should be listed first, followed by single-editor edited works by that author. These can be followed by works respectively co-authored and co-edited works by that author.<\/p>\n\n\n\n

                                  Sawada Kazuhiko 2019. Buronisuwafu Piusutsuki den. \u201cAinu-\u014d\u201d-to yobareta P\u014drandojin <\/em>[biography of Bronis\u0142aw Pi\u0142sudski, a Pole nick-named \u201cking of the Ainu\u201d]. Kaisei: Seibunsha. | \u6ca2\u7530\u548c\u5f66. \u300e\u30d6\u30ed\u30cb\u30b9\u30ef\u30d5\u30fb\u30d4\u30a6\u30b9\u30c4\u30ad\u4f1d. \u3008\u30a2\u30a4\u30cc\u738b\u3009\u3068\u547c\u3070\u308c\u305f\u30dd\u30fc\u30e9\u30f3\u30c9\u4eba\u300f. \u795e\u5948\u5ddd\u770c\u958b\u6210\u753a: \u6210\u6587\u793e. <\/p>\n\n\n\n

                                  Sawada, Kazuhiko, K\u014dichi Inoue (eds.) 2010. A critical biography of Bronis\u0142aw Pi\u0142sudski<\/em>. Vols. 1-2. Saitama: Saitama University Faculty of Liberal Arts.<\/p>\n\n\n\n

                                  [e] Article in a newspaper<\/p>\n\n\n\n

                                  \u203b Author unknown<\/p>\n\n\n\n

                                  Newspaper<\/em> title<\/em> Year. \u201cArticle title\u201d. Publication date: page(s) [if applicable].<\/p>\n\n\n\n

                                    \n
                                  • The<\/em> Guardian<\/em> 2018. \u201cHaruki Murakami\u2019s new novel declared indecent<\/em> by Hong Kong censors\u201d. 25 July 2018, online.<\/li>\n<\/ul>\n\n\n\n

                                    \u203b Author known<\/p>\n\n\n\n

                                    Last name, First name Year. \u201cArticle title\u201d. Name of the journal, publication date: page(s) [if applicable].<\/p>\n\n\n\n

                                      \n
                                    • Parks, Tim 2018. \u201cHow best to read auto-fiction\u201d. The New York Review<\/em>, 25 May 2018, online.<\/li>\n<\/ul>\n\n\n\n

                                      [f] Online\/Internet sources<\/p>\n\n\n\n

                                      \u203b Author known  <\/p>\n\n\n\n

                                      Last name, First name of the author Year. \u201cPublication title\u201d. Information on the character of the source [if relevant]. Name of the page<\/em> [if relevant]. <\/p>\n\n\n\n

                                      URL: http:\/\/……………………………. [access date: day month year].<\/p>\n\n\n\n

                                        \n
                                      • Fukuyama, Francis 1999. \u201cSocial Capital and Civil Society\u201d. Paper presented during the Second Generation Reforms Conference on 8\u20139.11.1999 in Washington D.C. URL: http:\/\/www.imf.org\/external\/pubs\/ft\/seminar\/1999\/reforms\/index.htm [access date: 27 April 2021].<\/li>\n<\/ul>\n\n\n\n

                                        \u203b Author unknown  <\/p>\n\n\n\n

                                        Webmaster\/copyright holder Year. \u201cPublication title\u201d. Information on the character of the source [if relevant]. Name of the page<\/em> [if relevant]. <\/p>\n\n\n\n

                                        URL: http:\/\/……………………………. [access date: day month year].<\/p>\n\n\n\n

                                          \n
                                        • University of Oklahoma 2016. \u201cLiterary award prizewinners, the state of translation in Myanmar, and more\u201d. World Literature Today<\/em>. URL:  https:\/\/www.worldliterature<\/li>\n<\/ul>\n\n\n\n

                                          today.org\/ [access date: 27 June 2017].<\/p>\n\n\n\n

                                          [g] Movies\/visual materials\/audio documents<\/p>\n\n\n\n

                                          \u203b Last name, First name [director\/credited author] Year of production. Title<\/em>. Name of the medium. Name of the studio\/production company\/distributor [if relevant].<\/p>\n\n\n\n

                                            \n
                                          • Kore-eda Hirokazu 2019. Shoplifters<\/em>. Feature length movie, DVD. New York:  Magnolia Pictures.<\/li>\n\n\n\n
                                          • Bach, Jan Sebastian 1999. Brandenburg      Concertos. Audio material, CD. Warsaw: Pomaton EMI. <\/li>\n<\/ul>\n\n\n\n

                                            [7] IN-TEXT CITATIONS<\/strong><\/h2>\n\n\n\n

                                            \u203bOne author (\/editor)<\/p>\n\n\n\n

                                            Last name Year: Pages, or (Last name Year: Pages)<\/p>\n\n\n\n

                                              \n
                                            • Jaanus 1979: 34, or (Jaanus 1979: 34)<\/li>\n\n\n\n
                                            • Mejor 2001: 12, or (Mejor 2001: 12)<\/li>\n<\/ul>\n\n\n\n

                                              \u203bTwo authors (\/editors)<\/p>\n\n\n\n

                                              Last name and Last name Year: Pages, or (Last name and Last name Year: Pages)<\/p>\n\n\n\n

                                                \n
                                              • Hayashi and Kinuhata 2014: 40, or (Hayashi and Kinuhata 2014: 40) <\/li>\n<\/ul>\n\n\n\n

                                                \u203bThree authors (\/editors)<\/p>\n\n\n\n

                                                Last name, Last name and Last name Year: Pages. OR (Last name, Last name and Last name Year: Pages)<\/p>\n\n\n\n

                                                OR<\/p>\n\n\n\n

                                                Last name et al. Year: Pages, or (Last name(s)\/ et al. Year: Pages).<\/p>\n\n\n\n

                                                  \n
                                                • Aso, Heinrich and Shimoji 2014: 164, or (Aso, Heinrich and Shimoji 2014: 164)<\/li>\n<\/ul>\n\n\n\n

                                                  OR<\/p>\n\n\n\n

                                                    \n
                                                  • Aso et al. 2014: 164, or  (Aso et al. 2014: 164)<\/li>\n<\/ul>\n\n\n\n

                                                    \u203bMultiple authors (\/editors)<\/p>\n\n\n\n

                                                    Last name(s)\/ (et al.) Year: Pages, or (Last name(s)\/ et al. Year: Pages).<\/p>\n\n\n\n

                                                    Goldman (et al.) 2004: 123, or (Goldman et al. 2004: 123)<\/p>\n\n\n\n

                                                    \u203b Publications by the same author from the same year: differentiated through the addition of small Latin alphabet letters<\/p>\n\n\n\n

                                                    Last name Yeara: Pages, or (Last name Yeara: Pages)<\/p>\n\n\n\n

                                                    Last name Yearb: Pages, or (Last name Yearb: Pages)<\/p>\n\n\n\n

                                                    Last name Yearc: Pages, or (Last name Yearc: Pages)<\/p>\n\n\n\n

                                                      \n
                                                    • Fukui 1977a: 78, or (Fukui 1977a: 78)<\/li>\n\n\n\n
                                                    • Fukui 1977b: 45, or (Fukui 1977b: 45)<\/li>\n\n\n\n
                                                    • Fukui 1977c: 176, or (Fukui 1977c: 176)<\/li>\n<\/ul>\n\n\n\n

                                                      \u203b Several authors with the same last name<\/p>\n\n\n\n

                                                        \n
                                                      • Different initials of the authors\u2019 given names <\/li>\n<\/ul>\n\n\n\n

                                                        Initial of the author\u2019s given name. Last name Year: Pages, or (Initial of the author\u2019s given name. Last name Year: Pages)<\/p>\n\n\n\n

                                                          \n
                                                        • A. Malinowski 1987: 88\u201390, or (A. Malinowski 1987: 88\u201390)<\/li>\n\n\n\n
                                                        • S. Malinowski 1956: 34, or (S. Malinowski 1956: 34)<\/li>\n\n\n\n
                                                        • Identical initial of the authors\u2019 given names \u2013 given names should be cited in full<\/li>\n<\/ul>\n\n\n\n

                                                          Given name Last name Year: Pages, or (Given name Last name Year: Pages)<\/p>\n\n\n\n

                                                            \n
                                                          • Sebastian Malinowski 1999: 55, or (Sebastian Malinowski 1999: 55)<\/li>\n\n\n\n
                                                          • S\u0142awomir Malinowski 1990: 23, or (S\u0142awomir Malinowski 1990: 23)<\/li>\n\n\n\n
                                                          • Stanis\u0142aw Malinowski 1980: 99, or (Stanis\u0142aw Malinowski 1980: 99)<\/li>\n<\/ul>\n\n\n\n

                                                            \u203b  Article in a newspaper, author unknown<\/p>\n\n\n\n

                                                            Name of the journal<\/em>, Publication date: pages [if known\/relevant], or (Name of the journal,<\/p>\n\n\n\n

                                                            Publication date: pages [if known\/relevant]).<\/p>\n\n\n\n

                                                              \n
                                                            • The Guardian<\/em>, 25 July 2018. or (The Guardian<\/em>, 25 July 2018).<\/li>\n<\/ul>\n\n\n\n

                                                              \u203b Article in a newspaper, author known: the same treatment as in the case of authored monographs and academic articles<\/p>\n\n\n\n

                                                              \u203b Movies, performances and other audio-visual materials<\/p>\n\n\n\n

                                                              \u203b Director\u2019s [composer\u2019s\/performer\u2019s\/author\u2019s] last name Year.<\/p>\n\n\n\n

                                                              Wajda 2000, or (Wajda 2000)<\/p>\n\n\n\n

                                                              \u203b Consecutive citation of a single source: use the notation (ibid<\/em>., page number\/page range), unless the mentions are separated by a gap larger than one paragraph, in which case the regular citation rules should be applied<\/p>\n\n\n\n

                                                              \u203b Consecutive citation of the same source and the same page (page range): use the notation (ibid<\/em>.), unless the mentions are separated by a gap larger than one paragraph, in which case the regular citation rules should be applied<\/p>\n\n\n\n

                                                              \u203b Publication year unknown: use the abbreviation \u201cn.d.\u201d in the usual place of year<\/p>\n\n\n\n

                                                                \n
                                                              • They even have produced by themselves a small list of local words attached to the tourist map of the village (Sago-ku n.d.)<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"

                                                                Downloadable template Download PDF Contents SUBMISSION STRUCTURE OF THE PAPER FORMATTING GUIDELINES TYPESETTING RECOMMENDATIONS REFERENCES, GENERAL INSTRUCTIONS REFERENCES, SPECIFIC EXAMPLES IN-TEXT CITATIONS [1] SUBMISSION Source file: editable .doc, .docx or .rtf file. A .pdf file may optionally be included, especially if concerns about the legibility of the fonts used in the text file arise. You […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"templates\/template-full-width.php","meta":{"footnotes":""},"class_list":["post-38","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/silvajp.web.amu.edu.pl\/index.php\/wp-json\/wp\/v2\/pages\/38","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/silvajp.web.amu.edu.pl\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/silvajp.web.amu.edu.pl\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/silvajp.web.amu.edu.pl\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/silvajp.web.amu.edu.pl\/index.php\/wp-json\/wp\/v2\/comments?post=38"}],"version-history":[{"count":17,"href":"https:\/\/silvajp.web.amu.edu.pl\/index.php\/wp-json\/wp\/v2\/pages\/38\/revisions"}],"predecessor-version":[{"id":508,"href":"https:\/\/silvajp.web.amu.edu.pl\/index.php\/wp-json\/wp\/v2\/pages\/38\/revisions\/508"}],"wp:attachment":[{"href":"https:\/\/silvajp.web.amu.edu.pl\/index.php\/wp-json\/wp\/v2\/media?parent=38"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}